Paula Hawkins worked as a journalist for fifteen years before turning her hand to fiction. She lives in London. The Girl on the Train is her first thriller. It is being published all over the world and has been optioned by Dreamworks.
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“The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . . The Girl on the Train is liable to draw a large, bedazzled readership too. . . . The Girl on the Train is full of back-stabbing, none of it literal.”-Janet Maslin, The New York Times
“The Girl on the Train marries movie noir with novelistic trickery. . . hang on tight. You’ll be surprised by what horrors lurk around the bend.”-USA Today
“Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages. . . . The welcome echoes of Rear Window throughout the story and its propulsive narrative make The Girl on the Train an absorbing read.”-The Boston Globe
“[The Girl on the Train] pulls off a thriller’s toughest trick: carefully assembling everything we think we know, until it reveals the one thing we didn’t see coming.”-Entertainment Weekly
“Gone Girl fans will devour this psychological thriller. . . . Hawkins’s debut ends with a twist that no one-least of all its victims-could have seen coming.”-People
“Given the number of titles that are declared to be ‘the next’ of a bestseller . . . book fans have every right to be wary. But Paula Hawkins’ novel The Girl on the Train just might have earned the title of ‘the next Gone Girl.”-Christian Science Monitor
“Hawkins’s taut story roars along at the pace of, well, a high-speed train. …Hawkins delivers a smart, searing thriller that offers readers a 360-degree view of lust, love, marriage and divorce.”-Good Housekeeping
